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Glossary

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Imagery

Imagery

Imagery is the use of visually figurative or descriptive languages to symbolize objects and ideas.  Imagery uses certain words to generate a visual depiction in our minds.  In order to be effective in literary work, imagery  needs to be used in conjunction with similes, metaphors, and symbolism.  A crucial part of literature is imagery, it is especially important in poetry.”

An example of imagery in Paradise Lost is Milton’s description of Hell through Satan’s point of view.

“At once, as far as Angels ken, he views

the dismal situation waste and wild

A dungeon horrible, on all sides round,

As one great furnace flamed: yet from those flames

No light: but rather darkness visible

Served only to discover sights of woe”

The words dungeon and flames visual images that help the reader create a picture in their mind about Hell.

Resources

“Imagery.”  Literary Devices: Definition and Examples of Literary Terms.                                      https://literarydevices.net/imagery/.  Accessed 12 Feb 2018.

Luxon, Thomas H.  The John Milton Reading Room Paradise Lost.  Dartmouth College.

https://dartmouth.edu/~milton/reading_room/contents/text.shtml.  Accessed 12 Feb 2018.

 

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Notes

Notes 2/13

Caleb Williams summary:

  • Caleb Williams is an orphan in the service of Falkland
  • Notices Falkland is very moody
  • Asks Collins (another employee) for Falkland’s history
    • in his youth, Falkland was challenged to a duel, but resolves the issue rationally — ONLY because the challenge was private
    • CW learns that Falkland stood up to the petty tyrant Tyrrell
      • Tyrrell really really hates Falkland
      • Emily becomes enamored of Falkland when he rescues her; Tyrrell gets mad and tries to marry her off to the oaf Grimes; she dies rather than submit (this is debatable — she died of illness)
      • Tyrrell is murdered; Falkland is suspected; two other people (Hawkins) are prosecuted for the crime
  • Something about a secret in a trunk sparks CW’s curiosity

Falkland:

  • extrinsic locus of control — he doesn’t seem to make the decisions of how to act, he acts as he is supposed to
  • adheres to the expectations of his class
  • concerned with public reputation
  • delicate
  • torment of his mind distorts his calculated self-presentation

Caleb Williams:

  • governed by fear and curiosity
  • curious from childhood
  • compulsive curiosity

Tyrrell:

  • apparently has a name from Game of Thrones
  • less qualified from instruction
  • spoiled — mom accommodated him (similar to the indulged infant in Political Justice)
  • used to getting his way
  • barbarian
  • his rules are the rules
  • accustomed to being “loved” for his money, station, etc.
  • can’t adapt when Falkland comes on the scene

Emily:

  • cheerful, playful disposition
  • orphan
  • little bit naive
  • very honest
  • “her own heart was incapable of guile” true to herself

Grimes:

  • rules that govern Grimes are the same rules that would govern an animal
  • “scarcely human”
  • doesn’t know people don’t like him
  • “not spiteful or malicious” — doesn’t know people think he’s the actual worst
  • incapacity of understanding the feelings of others
  • Tyrrell is his master — he goes along with whatever Tyrrell wants

 

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Blog Assignments

The French Revolution and Caleb Williams

Edmund Burke’s Reflections on the Revolution in France was a conservative response to the radical changes occurring in France in 1790. The French Revolution, if you’re unfamiliar, was a period of uprising among the middle and lower classes against the French monarchy. It was caused partly by France’s unstable economy, bad harvests that left most of the population starving, and the King’s incompetence. Revolutionaries aimed to overthrow the monarchy, write a new constitution, and abolish old customs.

Burke, a British politician, was against the Revolution and attacked its foundations. Burke viewed the revolutionaries as being motivated by greed and desiring to destroy all social, political, and religious institutions in place. He was appalled by the violence occurring throughout France, but what offended him most was the change the Revolution brought. Century old traditions that gave Europe character were being thrown away. Ancient chivalry was gone; no one would serve the monarchy with dignity. Burke wrote that “all the pleasing [old] illusions which made power gentle and obedience liberal, which harmonized the different shades of life, … are to be dissolved by this new conquering empire of light and reason” (77). He contrasted the sentimental idea of kings and queens ruling with these old, fundamental principles to that of dishonorable barbarians ruling with no plans for the future.

Without traditional rules and ways of life, countries lose their way. Burke argued that improvements should be built upon the foundations of the past. Instead of a revolution discarding everything learned prior, countries should improve by reforming what already exists. The new leaders of France changed too much and ignored the past. Burke detested this unstable government: “With them it is a sufficient motive to destroy an old scheme of things because it is an old one … As to the new, they are in no sort of fear with regard to the duration of a building run up in haste, because duration is no object to those who think little or nothing has been done before their time” (88). This government was not sustainable and did not care for the country like the old monarchy. Generations were no longer linked due to the constantly changing state, which Burke said is “ten thousand times worse” than states that are prejudice and stubborn.

Burke also bemoaned the lack of respect for the monarchy and upper classes in France. He wrote that “when kings are hurled from their thrones … and become the objects of insult to the base and of pity to the good, we behold such disasters in the moral” (80). Louis XVI did not choose to be king; he was born into it. Therefore, Burke said he’d been treated unfairly and should not be blamed for all the trouble in France. The ideas of the Revolution corrupted the minds of people and made them irrational. The crimes of the old regime were lesser than the crimes of the new, which justifies murder for public benefit.

However, the English differed from the French. The English still valued their old traditions, revered priests, and respected the nobility. Religion was connected to the state and provided comfort for people while preventing selfishness. Burke believed in a social contract where society was a “partnership not only between those who are living, but between those who are living, those who are dead, and those who are to be born” (96). This means that society relies on not only the work of those alive now, but also those from the past. The revolutionaries were disregarding the past and disrupting the social contract that has been in place for centuries.

Edmund Burke

While Burke made many convincing arguments against the Revolution, I think there are a few areas he could have elaborated. At least in this excerpt, Burke doesn’t acknowledge the suffering of the lower and middle classes. Most people had little to eat, while the nobility and monarchy still had plenty of food. France was a highly divided society, and Burke did not seem to think anything wrong of people being born in a low class. Burke defended the King as being “misfortunate” to be born a ruler, so he should also defend those who were unfortunate enough to be born poor. Burke could have offered alternatives to a revolution to help feed those people. Also, I think he was too sentimental and nostalgic about the hereditary monarchy and nobility.

Burke portrayed the nobility as being honorable and dignified, but William Godwin saw them differently in Caleb Williams. Both works were written within a few years of each other, but they show different views of society. William Godwin’s novel tells of the abuses of the powerful and wealthy against the poor and weak. Godwin was more liberal than Burke, who saw no evidence of this tyranny that Godwin thought existed in society. Both believed in justice, with Burke saying that “if … the king and queen of France … were inexorable and cruel tyrants, … I should think their captivity just … The punishment of real tyrants is a noble and awful act of justice” (83). However, unlike Burke, Godwin felt that the justice system in place was unfair and favored those in power, similar to how the French revolutionaries felt about the monarchy.

Godwin portrayed the flaws of legal institutions in Caleb Williams. Mr. Tyrrel, as his name suggests, was a tyrant that led to the death of his cousin and destroyed the lives of the Hawkinses by manipulating laws to his advantage. Mr. Falkland also used the law to frame Hawkins for killing Mr. Tyrrel and frame Caleb for stealing. When describing Mr. Falkland, Caleb said that “he exhibited, upon a contracted scale, … a copy of what monarchs are, who reckon among the instruments of their power prisons of state” (Vol. II, Ch X). Caleb saw in Mr. Falkland the same abuses that the French people saw in their King.

Both Mr. Tyrrel and Mr. Falkland were guilty, but their high social standing allowed them to abuse others with the law on their side. Caleb noted this imbalance of power: “visit the scenes of our prisons! Witness their unwholesomeness, their filth, the tyranny of their governors, the misery of their inmates! After that, show me the man shameless enough to triumph, and say, England has no Bastille!” (Vol. II, Ch. XI). This relates to the situation in France and how people were unhappy with the monarchy that Burke defends in his work. Godwin believed legal institutions should not be used to subvert justice by the powerful.

Burke’s writings on the French Revolution sparked an intellectual debate. His conservative ideas contrasted with the liberal ideas of Thomas Paine’s Common Sense. Godwin also wrote Caleb Williams in addition to Political Justice to argue for a fairer justice system. Reflections on the Revolution in France was an important piece in 1790 and remains significant today.

Discussion Questions:

  1. Do you think Falkland represents the evils of the social system, just as the King did in the French Revolution?
  2. Do you think the French Revolution had an influence on William Godwin and the writing of Caleb Williams?
  3. How does Godwin’s view of political justice differ from Burke’s?
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Glossary

Canon

Canon

The Literary canon refers to a group of texts that elite scholars have decided to be most relevant to society and that should be read by each individual (Lombardi, 2018). These texts are generally deemed as such due to various hermeneutical interpretations with which they are associated, that bring out a greater meaning which the scholars of the time view important. Due to changing times and societies, those texts which are defined as canonical and non-canonical frequently change (Lombardi, 2018). For example, historically, clergymen would establish biblical texts (and text with similar principles) as the literary canon because they agreed with their religious and moral views (Bates, 2013). However, any text that questioned or disputed their views would likely be considered non-canonical, if not blasphemous. On the other hand, a more recent literary canon may instead establish a very different set of texts that represent a more progressive view. For example, To Kill a Mockingbird by Harper Lee, may be considered a part of modern literary canon in how it brings to light the existence of social inequalities. By marking Lee’s novel as literary canon, modern scholars can accentuate the necessity for society to realize such inequalities and to further resolve them.

In his work Why Milton Matters, A New Preface to His Writing, Joseph Wittreich makes the argument that John Milton’s Paradise Lost qualifies to be recognized as literary canon. Wittreich makes this argument on the grounds that Milton’s unique, contradictory style of writing, brings to debate a plethora of progressive topics and is therefore necessary to be read by members of society to solve such issues. For example, if Paradise Lost is established as literary canon, then contradictory feminist and masculine hermeneutics may spark debates of equality and therefore allow for society to overcome its sexist past.

Canon may be related to hermeneutics in how it is through the analysis of various interpretations that texts may be established as canon by the scholars of the time. When such hermeneutics fit in with the scholarly perspective and bring out an impactful meaning, scholars may establish a certain text as being a literary canon.

References

  1. Lombardi, Esther. “What Is the Canon in Literature?” ThoughtCo, Feb. 1, 2018, thoughtco.com/literary-devices-canon-740503.
  2. Bates, Jordan. “Literary canons exclude work no matter how selective canon makers are”, The Daily Nebraskan, April 25, 2013, www.dailynebraskan.com/arts_and_entertainment/literary-canons-exclude-works-no-matter-how-selective-canon-makers/article_da83def2-ad43-11e2-b07a-0019bb30f31a.html
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Glossary

Hermeneutics

Hermeneutics

Hermeneutics is defined as the branch of knowledge that deals with the theoretical and methodological aspects of interpretation. Hermeneutics may be applicable to a variety of contexts including ancient/biblical text, literature, and philosophy; especially in dealing with those texts which are far removed from common communication and understanding (Audi, 1999). As an analysis of interpretation, hermeneutics offers a set of rules for dissecting and understanding the interpretations of biblical and literary texts and helps provide insight into the meaning their authors were trying to bring to light (Mantzavinos, 2016). Traditionally, hermeneutics has been employed in interpreting biblical literature via four major types of hermeneutics: the literal, moral, allegorical, and analogical (Britannica). Literal hermeneutics focus on the idea that scripture itself should be interpreted “according to the plain meaning” and are often associated with the belief that biblical verbiage is divine (Britannica). Moral hermeneutics assert that biblical text should be interpreted through ethical lessons which may be drawn out of the scriptural text (Britannica). Allegorical hermeneutics follow that scripture should be interpreted as referencing a greater meaning beyond that which is superficially portrayed within the writings (Britannica). Finally, analogical hermeneutics subscribe to a “mystical interpretation” in which its principles suggest that biblical texts foreshadow the future (Britannica).

As John Milton’s Paradise Lost is a reiteration of the Bible, many of these hermeneutical categories may be considered through it. For example, Literal hermeneutics may be applied to Paradise lost according to the principle that Milton’s text should be interpreted literally as a historical account of the Fall. Therefore, such a theology would likely contend that there actually exists a physical bridge to Hell on which demons travel to plague humanity. From the perspective of moral hermeneutics, one may interpret Paradise Lost according to its ethical stance on Satan’s actions and his resulting punishments. Through such a standpoint, it may be seen that Milton’s intended interpretation of Paradise Lost was to accentuate Satan’s hubris and arrogance and the ethical ramifications of his devious actions that ultimately led him to suffering. Following Joseph Wittreich’s analysis, Paradise Lost may be considered through allegorical hermeneutics in how Milton may have written his poem as an allegory of his surrounding, seventeenth century, society. In particular, Wittreich brings to mind the competing feminist and masculinist hermeneutics in Milton’s poem in how Milton’s contradictory language may support an either feminist or masculinist interpretation; which themselves represent the debates of the time. Finally, analogical hermeneutics would likely focus on Milton’s foreshadowing phrases regarding redemption and would form interpretations about how mankind would bruise Satan’s head and Satan bruise man’s heel.

Hermeneutics may be related to literary canon in how those literary works that are deemed essential and influential for a particular time, are classified as such through hermeneutical interpretation. By being thoroughly analyzed for their meanings and interpretations, works of literature that stand out with impactful interpretations may be categorized as literary canon.

References:

  1. Audi, Robert. The Cambridge Dictionary of Philosophy (2nd ed.). Cambridge: Cambridge University Press. p. 377. (1999).
  2. Mantzavinos, C., “Hermeneutics”, The Stanford Encyclopedia of Philosophy (Winter 2016 Edition), Edward N. Zalta (ed.), plato.stanford.edu/archives/win2016/entries/hermeneutics/>.
  3. The Editors of Encyclopaedia Britannica. “Hermeneutics”. Encyclopaedia Britannica, Encyclopaedia Britannica, inc, www.britannica.com/topic/hermeneutics-principles-of-biblical-interpretation 
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Blog Assignments

William Godwin and Political Justice

Erica Simon

11 February 2018

Professor Walker

English 151w – 05

William Godwin and Political Justice

In 1793 William Godwin published Enquiry Concerning Political Justice and its Influence on Morals and Happiness (or Political Justice for short). Godwin was inspired to write Political Justice after the publication of Thomas Paine’s Rights of Man. It was written during the early years of the French Revolution and Revolutionary Wars. Political Justice provides an insightful critique of unjust government institutions and notes that humanity will inevitably progress. Chapter three talks about innate principles and how the moral characteristics of men originate in their perceptions. Chapter four is about the ways in which the human mind can be advanced towards the state of perfection.

One of Godwin’s main ideas in chapter three is the idea of innate principles. People are brought into the world without innate principles and they “are neither virtuous or vicious as we first come into existence.” The phrase innate principles refer to instincts or natural. Children are neutral when they first come into the world – they are neither good nor bad. People are shaped and influenced by the environment and experiences that they are exposed to. Godwin goes on to note that even though children are born without vice or virtue ‘the seeds of error’ are passed down so early on that ‘superficial observers’ believe they are innate. In other words, from moment that children are born they are influenced by the world around them. This reveals that the ‘seeds of error’ are developed so early on, that they are mistaken as innate. In the following excerpt, the author notes that by the end of the first day of birth, children have already been subjected to the corrupt word and he describes newborn infant’s cry for assistance.

“In this neutral and innocent circumstance, combined with the folly and imbecility of parents and nurses, we are presented with the first occasion of vice. Assistance is necessary, conducive to the existence, the health and the mental sanity of the infant. Empire in the infant over those who protect him is unnecessary. If we do not withhold our assistance precisely at the moment when it ceases to be requisite, if our compliance or our refusal be not in every case irrevocable, if we grant any thing to impatience, importunity or obstinacy, from that moment we become parties in the intellectual murder of our offspring.”

This means that when a parent doesn’t know when to say ‘no’ to crying child who will not stop crying – he has already planted the seeds of vice in the following generation, and has become the “intellectual murderer” of his offspring. In summary, chapter three is about instincts and how people are shaped by their experiences and the world around them.

The next chapter explains how the human mind can be advanced towards a state of perfection. There are three ways – literature, education, and political justice. Literature is defined as the “diffusion of knowledge through the medium of discussion whether written or oral.” Literature is powerful and is the most efficient way of eradicating prejudice and mistakes. Godwin also says that even though people all over world have different opinions only one can be true. Literature is also flawed because it alone is “not adequate to all the purposes of human improvement.” Education is a “scheme for the early impression of rights principles upon the hitherto unprejudiced mind” or in different words – the early presentation of idea to unprejudiced minds. “Where must the preceptor himself have been educated, who shall thus elevate his pupil above all the errors of mankind?” Education is flawed because it is circular – the right education is dependent on right teacher.  How is right defined? Is it only if the teacher has the right education? Political Justice is the “adoption of any principle of morality and truth into the practice of a community.” It is universal and can be applied to any situation. Out of the three advancements that Godwin gives, political justice is the most important one because it can be universally applied.

Goodwin makes a number of good arguments in his book Political Justice, however, he makes few assumptions that don’t make much sense. For example, in chapter three, he explains that children are corrupted by society in the moment they are born and when a parent doesn’t say ‘no’ to a crying child, they are planting the seeds vice in the next generation. This is an interesting way of looking at the situation of a crying child and it’s appalling the way he describes it. In chapter four, regarding literature he says that “but, if in any science we discover one solitary truth, it cannot be overthrown.” This statement sounds rather naive because there is always evidence that can be found to that proves that the old claim is false. Also regarding literature, he notes that even though people all over the world have different opinions, only one is true – this also doesn’t make any sense, why does there have to be only one right answer?

Godwin uses, Caleb Williams to emphasize ideas that are found in his philosophical book, Political Justice. In both books, the idea of anarchism is present and its development is necessary in order to improve the individual. In volume one of Caleb Williams, there are are two aristocrats, Falkland who is well liked by the poor and upper class and Barnabas Tyrrel who takes advantage of his status and is not well liked. Godwin believes that social hierarchy and political systems were the cause of corruption and society would only stabilize when individuals live by an inner moral code. Also both books were written during times of political change – Political Justice was written during the heart of the French revolution, and Caleb Williams was set in time when there was a lot of political change going on.

Discussion Questions:

  1. Why do think Godwin talks about literature and education, even though they are flawed?
  2. Why is anarchism important in Caleb Williams?
  3. What does Political Justice mean to you?

 

 

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John Milton, The Poet of the 21st Century

              In his work, Why Milton Matters: A Preface to His Writings, Joseph Wittreich focuses in on John Milton’s last poems: Paradise Lost, Paradise Regain’d, and Samson Agonistes, in order to demonstrate Milton’s influence on society through Milton’s unorthodox, yet brilliant, style of writing that transcends both time and borders. This can be seen in how Wittreich cites to the fact that Milton’s poems have been adopted by a wide variety of nationalities and cultures ever since their release in the seventeenth century. For example, Paradise Lost was influential in directing Malcom X toward Islam, in providing ideas for democracy to “the so-called great generation”, and in teaching Cold War America about the evil empires of the world. Using these varying examples, Wittreich argues how Milton’s poems are structured to have a multitude of possible interpretations as opposed to those of hermeneutical traditions which use monologic discourse to bring about fixed interpretations. Wittreich supports this claim by demonstrating that Milton himself imbued his poems with the concept of interpretation, in how he repeatedly accentuates the differences in interpretation between his characters. For example, Wittreich cites to how even the angels in Paradise Lost, let alone man, interpreted God’s decree of the Son as “Second to God” whereas God’s intended interpretation was of the Son as “Equal to God”. Similarly, even Milton’s narrator acts as an interpreter who uses his limited “moralistic and prophetic” perspective to convey an intended, yet biased, meaning. Therefore, Wittreich shows that by demonstrating the varying perspectives of his characters, Milton motivates his readers to analyze his poetry through their own interpretation, yet, while keeping in mind the limit of their own perspective. In doing so, Wittreich explains how the multitude of varying interpretations may lead to “a drama of ideas” that can ultimately make the world a better place.

            Wittreich goes on to explain how Milton not only intended to bring about a spirit of interpretation but to also purposefully input contradictions that lead to different interpretations. In agreement with Mary Ann Radzinowicz, Wittreich contends that for Milton, the “Scripture is a datum for interpretation and not a set of given precedents” and how by inputting subtle contradictions into his work, Milton paved way for a plethora of interpretations to be discovered. For example, Wittreich references Adam and Eve’s conversation in Book 4 where Adam brings out a feminist perspective whereas Eve a masculine one. In particular, Adam’s language describes Eve as being his equal in his statement that God “Conferrd upon us [both Adam and Eve], and Dominion giv’n over all other creatures”. On the other hand, Eve’s language is masculinist (“a Pualine interpretation”), in which Eve refers to Adam as her “Author and Disposer” and how she is intrinsically inferior to him. Similarly, Wittreich brings up the contradiction in Books 7 and 8 where Raphael follows the Genesis 1 account of Creation whereas Adam follows that of Genesis 2, thus tying in the Ptolemaic and Copernican rivaling explanations of cosmology. Wittreich explains that Milton purposefully inserted these contradictions in Paradise Lost as a reflection of the debates of sexism and cosmology that were raging through the sixteenth and seventeenth centuries. By integrating such contradictions into the scriptural stories, Milton was able to “interrogate…[the] commonplaces of his culture” in order to express them as interpretations, not dogma, and therefore bring them up to debate.

            In his argument for why Milton matters, Wittreich explains how Milton’s last poems take on a transcendent nature in how they simultaneously express the various contradictions and interpretations that shaped seventeenth century culture and act as a medium for resolving those conflicts in the future. By bringing forth opposing views in his poems, Milton transforms his writings into “battlegrounds for a culture’s contending viewpoints” in order to provoke future generations to debate and come to the proper conclusions. Wittreich explains that without such debates, there can be no progression in society and therefore having “no paradise” result from Milton’s poems. As a result, Wittreich calls Milton as the poet of the twenty-first century in how Milton’s progressive mindset acts as a framework for future criticism and the enrichment of society.

            Altogether, while Wittreich mentions how Milton’s work ran into a period of criticism that attempted to silence his vision and downplay his artistic contradictions, Wittreich accentuates the importance of Milton’s work and the necessity to expose Milton’s poems to future generations. In doing so, Wittreich believes how future generations may similarly come to new interpretations that when put up to debate may bring humanity one step closer to paradise.

            Although Wittreich provides a superb argument and analysis of Milton’s poems, there may be certain points on which he could have elaborated. For example, Wittreich may have expanded on Milton’s use of contradiction by juxtaposing Adam and Eve’s interactions in Book 9 and 10 of Paradise Lost; a more conspicuous example. In Book 9, before the Fall, Milton presents a feminist perspective in which Adam treats Eve as his equal and Eve presents a sense of autonomy that is separate from Adam. This can be specifically seen through Eve’s desire to work independently and her debate with Adam to allow for her to do so. While Milton had the option to use patriarchal language to describe this encounter, Milton instead had Adam reason with Eve about the dangers of her decision as if she were his equal. Furthermore, at the end of the discussion, Adam responds: “Go, for thy stay, not free” indicating how Adam believed it wrong to force Eve to submit to his commands. Similarly, after realizing that Eve had been doomed for her sin, Adam lovingly chooses to suffer with Eve instead of allowing for her to die alone. Through Adams actions, Milton once again infuses a sense of equality between Adam and Eve in how Adam sacrificed himself to remain equal with Eve; something he would likely not have done for an inferior. On the other hand, in Book 10 after the Fall, Milton quickly shifts to a masculinist perspective in which Adam no longer perceives Eve as his equal and where Eve herself becomes submissive to Adam. Milton makes this clear in how he describes Eve “at his [Adams] feet submissive in distress” and being “his [Adams] aide” as opposed to being on Adams level. By linking feminist and masculine hermeneutics to the transmission from paradise to loss, Milton uses these contradictions to accentuate the sexism prominent in his culture in hopes to invoke further debate that can ultimately dissolve such sexism. Fortunately, with progression through time, some of Milton’s messages have been a driving force for the equality of the sexes, yet as Wittreich may argue, need to be further exposed to bring about progressive reform.

  1. Were there any other contradictions that were evident in Paradise Lost that aim to resolve a greater issue?
  2. Would Milton’s method be affective in helping todays generation discover new interpretations which lead to further social reform?
  3. Is it more effective for a writer to directly state a point of view or to incorporate hidden logic that must be discovered?